Henry Poole Is Here is a crying movie. A sloppy, sobbing, snot pouring from your nose crying movie.
This is one that I think slipped under the radar thanks to a low budget, but it's one I think people should know about and should see. The film stars Luke Wilson (my preferred Wilson brother) as Henry Poole, a man who has lost all hope in life and has moved back to the street he grew up on. Although he is unable to buy his childhood home, he moves into a smaller house down the street and finds that, although all he wants is to be left alone to die, his neighbors quickly insert themselves into his life thanks to a stain on his stucco that may or may not be the face of Jesus, which may or may not be crying tears of actual blood, and may or may not be performing miracles.
On one side is Dawn (Radha Mitchell), an exhausted single mother whose daughter Millie (Morgan Lily) hasn't spoken since the day her father left them. Millie is a little creepy, hiding behind fences and recording other people's conversations, but Dawn and Henry quickly form a bond. On the other side is Esperanza (played by Mexican telenovela star Adriana Barraza), who first spots the Jesus face and draws enormous attention to it as a miracle, much to Henry's annoyance. One of the greatest performances in this film is from George Lopez, who, instead of playing the high-strung comedic role he's so well-known for, plays a very calm and quiet priest.
Wilson's eyes are part of what makes the film so sad. There are a lot of shots of him looking into the camera where he looks alternately sad and lost and angry and overwhelmed, but they're done in a way where you don't feel like an actor is staring into a camera, but more like you're seeing a private moment you shouldn't be. But, what really gets you is the music. With the exception of Blur's "Song Number 2," every song in this movie is completely depressing. Seriously, if you can sit through this without crying, you either have no heart or have never felt lost, alone, hopeless, or afraid.
This is one that I think slipped under the radar thanks to a low budget, but it's one I think people should know about and should see. The film stars Luke Wilson (my preferred Wilson brother) as Henry Poole, a man who has lost all hope in life and has moved back to the street he grew up on. Although he is unable to buy his childhood home, he moves into a smaller house down the street and finds that, although all he wants is to be left alone to die, his neighbors quickly insert themselves into his life thanks to a stain on his stucco that may or may not be the face of Jesus, which may or may not be crying tears of actual blood, and may or may not be performing miracles.
On one side is Dawn (Radha Mitchell), an exhausted single mother whose daughter Millie (Morgan Lily) hasn't spoken since the day her father left them. Millie is a little creepy, hiding behind fences and recording other people's conversations, but Dawn and Henry quickly form a bond. On the other side is Esperanza (played by Mexican telenovela star Adriana Barraza), who first spots the Jesus face and draws enormous attention to it as a miracle, much to Henry's annoyance. One of the greatest performances in this film is from George Lopez, who, instead of playing the high-strung comedic role he's so well-known for, plays a very calm and quiet priest.
Wilson's eyes are part of what makes the film so sad. There are a lot of shots of him looking into the camera where he looks alternately sad and lost and angry and overwhelmed, but they're done in a way where you don't feel like an actor is staring into a camera, but more like you're seeing a private moment you shouldn't be. But, what really gets you is the music. With the exception of Blur's "Song Number 2," every song in this movie is completely depressing. Seriously, if you can sit through this without crying, you either have no heart or have never felt lost, alone, hopeless, or afraid.
0 comments:
Post a Comment